Footloose - WOW, February 2012, Michael Gray review
- Nikki Mundell-Poole
- Jun 11, 2019
- 1 min read

Footloose, though scarcely a masterpiece, was a canny choice for WOW, and from the opening number it was clear that they had mastered the genre. The crisp, snappy choreography, highlighting groups and individuals, and the sheer power of their movements was exhilarating to watch.
The plot – pitting the world of Mark Twain against the world of Kurt Vonnegut – is paper-thin, but it was well served by some fine dramatic performances and excellent enunciation in the lyrics.
It was the ensembles, though, large and small, which really made this show – the hats in the air, the cowboy boots, the cheerleaders, the improvised percussion, the roller-skates – all full of inventive fun. "Mama Says", set in the junk yard, especially enjoyable, I thought.
The lighting, the costumes and the minimalist set all played an important part, too.
Fortunately, the stamina of these talented young performers survives, and the protracted finale, with its party frocks, tuxes and customised calls, was just as thrilling as the opening two and a half hours before.
Footloose was directed by Nikki Mundell-Poole
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